Love and the Actuary

Here’s the next track: Love and the Actuary!

A special shout-out to the tremendous trombonist Cecil Scheib (of New York’s Hungry March Band and Cobra Gold) who’s great work fills this song out. Also thanks to Joel Howrani Heeres for the loan of his stand-up bass.

Response to the first track was great! Thanks, everyone for all the good words and feedback. I hope this next one also works for you.

Tell me what you want to hear next! — see the survey below.

Also, here’s another photo from the photo shoot done for the album. Again, a big thank you for photography to Spilt Sugar Photography. And as per her request: photographs by Spilt Sugar, photo editing and manipulation by yours truly.

Again, you can listen and download to your right. And you can always head over this way to get more info on the album, Love and the Occupation.

Thanks so much for listening, and please feel free to direct others to this site.

Next track in 2 weeks!
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4 Comments

  • jacob
    January 24, 2012 - 5:22 am | Permalink

    Love and the Actuary

    It’s a careful calculation,
    not for the weak of heart:
    the spreadsheets interlocking,
    the variables at the start.

    The moment’s been compiled
    Each touch is in the store.
    The words that pile higher
    amount to little more.

    The numbers don’t add up.
    The choices far from clear.
    The risk can find no calculus.
    We’re getting nowhere here.

    Oh no, you’ve got to…
    count what counts,
    count what counts.

  • jacob
    January 24, 2012 - 11:46 pm | Permalink

    Just a note — it seems that when this track is played through some computers built-in speakers the sound quality is such that the horns leap out way beyond everything else. This does not appear to be the case on headphones, stereos, iPads, etc. SO… just a warning if that’s the effect you’re getting, you might try a different medium….

  • January 25, 2012 - 1:41 pm | Permalink

    nice vibes Jacob! Are you paying the piano, bass and drums? The trombone is indeed wonderful, but so is everything else. It all blends deliciously together, very nice mastering. It’s interesting hw you keep the vocals to the back sort of. It works well for this and has an interesting effect. Thanks for sharing .I love the website too and the slow release of each track.

  • jacob
    January 26, 2012 - 2:55 am | Permalink

    Thanks, Kinga! Yep, I’m playing everything here except the horns. Sometimes live, sometimes via midi. Thank you for sharing too. I’ll look forward to hearing your thoughts on upcoming tracks.

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